From a beautiful trio of divinities, where Elena Tsallagova and Lyubov Petrova do better, in stage presence and suppleness if not in pure timbral quality, than the indifferent Drusilla of Ekaterina Siurina, l’Amore of Countertenor Serge Kakudji breaks away, man’s body and baby face, a key figure in this hard-to-class, bewitching Poppea and Nerone.”